Release History

Inside Stories
After All Crew Muss Big Up version 2 was published in 1999 I felt my job had been done. Not so. Version 2 sold out and there was still a demand for the book. Every time I went down Black Market Records, Nicky would be asking, When you going to get that book of yours out again? Ive had people in the shop asking for it. Producers Dillinger and Roni Size met me backstage at Homelands festival asking when I was going to up-date All Crew. As well as headz in the scene, I was also contacted by a growing number of media, music and history students who needed the book for their research. So All Crews The Re-Mix was summoned by public demand.
So Whats new?
The Jungle Drum & Bass scene has grown so much since 1999 and has become
truly global. I wanted to cover developments like Dogs on Acid and the use of
AIM and 1Xtra. Some producers like Bad Company burst onto the scene just as
the last version went to print so I needed to cover them and a few other people
who Id missed including, Bret Telepathy, Clayton TOV, DJ SS, Tanya
UMC, DJ E from Rude FM, the birth of Origin FM and High Contrast.
When you write a book you dont often have the opportunity to return to it. I went back through All Crew combing out any mistakes and sharpening up the writing improving its flow. I also added a few new passages like, Strings of Life and Original Pirate Material. But basically theres an extra 70,000 words. We have a new cover, a shorter title and a new design through-out. All Crews has new photographs with contributions from Cleveland Aaron, Andy Cotterill, Steve Gullick, Courtney Hamilton, Rob Hann, Tristan ONeill, Brian Sweeny, Lu Vu and Des Willie. Tristan came up trumps with another cover shot. Nadine now based in Berlin re-designed the book for the third time. I was happy to give Navigator a guest slot writing the chapter Evolution of the MC. Drum & Bass is about progression and as a team, we wanted to make fresher beats and improve on the last version.

Vision Publishing
The first 2 versions of All Crew were self published. Whilst that gave us
total creative freedom, we lacked the resources that a proper publisher might
have given us. I decided if there was to be a further version Id like
to work with a publisher and produce a better book. There was no way I was going
to trawl around mainstream publishers again. This time Id work within
our own scene. The logical people to approach would be folks at Knowledge magazine.
They knew the Jungle Drum & Bass scene as did I, and they, doing the magazine
and the Drum & Bass awards were impartial as am I. And we both dealt
in words. A partnership between All Crews and Knowledge made perfect sense.
Vision Publishing who publish Knowledge published All Crews under the excellent
stewardship of Colin Knowledge. Rachel Knowledge handled the finances and Sara
Knowledge pushed out the boat with publicity. Hand on heart the one and only
thing I would have changed was the cover photo. Its an excellent pic
But All Crews is all inclusive as is the scene and the cover might not suggest
that. But hey, after selling over 7,000 units since those 100 photo copies hit
the streets, I have NO complaints.

Best Moments producing All Crews
Where do I start? Heres some of them. Fabio & Grooveriders Radio
One set at Glastonbury. Or should that be the MC Grooverider show? The first
time Rider played Golden Girls- Makoto at Grace was insane - four rewinds. Andy
Cs Ram Recordings night at The End was mental. Check Meltdown at
the End probably one of the most moving nights Ive ever experienced.
London Electricity at Homelands. moved the crowd as expected but they let out
the most rip roaring spiky B-lines that Ive ever heard. Bailey played
a Choppage track on his 1Xtra show and asked me what I thought. Choppage isnt
my thing. My brain crashed. On air I just went, Errrrr
Wish
we had a photograph of both our faces. And Innovation. I would go back for any
one of those nights.

4 My People
I've been lucky with my friends, especially the ones who worked on the book.
Kate and Janey P shared my house in Tottenham and both worked in publishing.
Lidia and Damian also edited the first nightmare draft of jumbled thoughts and
dyslexic misspellings. I e-mailed the book to Damian in Cape Town who corrected
every word and posted it back. Nadine his wife was caught by her boss printing
up a section at work. Before George did the final edits he and Caz and numerous
other mates had argued over facts and music and exactly what it is da mans dem
meeeeean.
My wife Kate
the main support behind All Crews
![]()
| Minako came to London from Japan in 1993, taking
a course at Goldsmith’s College where she meet Nadine. She dropped out after
a year and moved to NYC which didn't suit her much. Her regular letters
to Nadine and other mates in London turned into her first comic series.
Tabloidism. I met Minako in summer 1998, in New Cross during All Crew's last production days. I asked Minako to draw a special edition of Tabloidism recording us producing All Crew during those hectic days and nights before the printer arrived. Minako would stick her head around the door of the Apple Mac room and record the whole scene in her own way. Whilst putting together All Crews in early spring 2004, Minako asked, “Please keep me in the book.” “Of course.” I replied. Tragically, Minako was killed in whilst cycling to work in Berlin. So All Crews is partially dedicated to her – alongside John Peel another person who was taken from us far too early. |
||
|
|
||
![]() |
![]() |
![]() |
![]() |
![]() |